What happens when the songwriters behind 1 billion streams have to start over? Go behind the music with Ben Fielding and Ruben Morgan, the Grammy-winning writers of “What a Beautiful Name,” “Mighty To Save,” and “Goodness of God.”

In this raw and honest conversation, they reveal their songwriting process, the battle with pride at the height of fame, and the painful but powerful story of leaving Hillsong to find a new beginning.

YOU WILL DISCOVER:
✅ The “secret” to writing a timeless worship chorus.
✅ Their honest struggle with pride & ego in ministry.
✅ How to write songs with rich, unifying theology.
✅ Navigating church hurt and finding faith on the other side.
✅ The real story behind their decision to leave Hillsong.

CXMMXNS site – https://cxmmxns.com

Their Music – https://cxmmxns.lnk.to/Still

=============================

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Transcript

[00:00:00] Today we are talking to two of the songwriters behind [00:00:03] some of the biggest worship songs of all time. I’m talking [00:00:06] songs like

what a Beautiful Name,

mighty To Save

Who You [00:00:09] Say I Am

This I Believe

Goodness of God and [00:00:12] many other massive songs that have blessed the global church [00:00:15] for decades.

And so I want to give a warm welcome to [00:00:18] Ben Fielding and Ruben Morgan, now part of [00:00:21] Commons it’s good to have you guys.

Thank you for having us. [00:00:24] Awesome. I was joking beforehand that it’s just really nice to [00:00:27] have two of those rich deep. [00:00:30] Intelligent accents in the same call. So [00:00:33] man, we’re gonna get a lot of gold. Well, guys it’s truly [00:00:36] incredible to think what God has done through your [00:00:39] lives to encourage his saints. And I actually went [00:00:42] on

perplexity AI before we got on the call, and [00:00:45] I asked perplexity to sum up the [00:00:48] total number of times that just those five songs that I [00:00:51] listed were streamed or played in [00:00:54] churches. It came back with this answer in total, including [00:00:57] streaming and church performances. These five songs have [00:01:00] been played collectively well over a billion [00:01:03] times globally. That’s. Insane. And [00:01:06] that means at the very least, you have helped [00:01:09] people connect with their creator and express their praise to him [00:01:12] over 1 billion times.

How does [00:01:15] that make you feel? Like, think about all the connections that [00:01:18] people have been able to experience with God because [00:01:21] of the songs you’ve written. How do you process that? That’s [00:01:24] good. Yeah. I mean, it’s a wild thought when you start to try to [00:01:27] break it down and make it tangible like that [00:01:30] because, as a songwriter, as a creative, your dream is to [00:01:33] be able to create something that helps [00:01:36] somebody else that brings a little bit more beauty into the world.

[00:01:39] And as a believer, when you add that level of going, well, [00:01:42] God, like what do you want to do with the thing that you’ve [00:01:45] put on my life? You only ever dream about like, [00:01:48] somebody connecting with something that you’ve worked on, let alone [00:01:51] those kind of numbers. And to me it’s the evidence [00:01:54] that as much as we want to see good come from our [00:01:57] lives and flow out of our lives the God that we [00:02:00] worship is even more interested in connecting with [00:02:03] people.

And so to me that’s the message of that story is that [00:02:06] you’ve got God who wants interaction [00:02:09] with creation with his people and that billion or whatever it [00:02:12] is, is God meeting with people. And, that’s phenomenal. [00:02:15] Mm-hmm. Yeah, I think it’s kind of amazing, and it’s hard to [00:02:18] get your head around those sort of numbers. But I [00:02:21] think realistically , the intent has always been to [00:02:24] help people worship, to create spaces and moments where [00:02:27] people connect with God.

And that doesn’t [00:02:30] change whether it’s, the a hundred people that get together on a Sunday morning in [00:02:33] church or whatever number that is, [00:02:36] or, going beyond that many, many, [00:02:39] many times around the world and in [00:02:42] villages in Africa and, cities in south [00:02:45] America or whatever it’s the same God and the [00:02:48] heart is still the same, is that people connect with the Lord [00:02:51] and grow deeper in their relationship with him.

And [00:02:54] so I guess at the end of the day, it’s all about [00:02:57] that. And it really should only be about that. [00:03:00] Yeah. Yeah. The numbers on the YouTube [00:03:03] video, or the Spotify, that’s all irrelevant to you [00:03:06] guys because. What’s at the heart of all of [00:03:09] it is just, those are actually just numbers that [00:03:12] hopefully are pointing to people, having their heart touched by [00:03:15] God and ministered to by God.

Exactly. And that, and that’s what I’m saying is like, [00:03:18] wow, when you tally up that sort of impact [00:03:21] that these songs have had, it’s so beautiful. And so again, I just [00:03:24] wanna honor you and thank you both for that. Thank you. And, [00:03:27] and on that, Alex, I mean, it’s not just numbers, is it, every [00:03:30] one of those numbers actually tells a story and it’s an experience.

[00:03:33] It’s someone’s life and someone’s connection with the Lord. And it [00:03:36] truly is an honor. And really humbling to kind of hear those sort [00:03:39] of numbers. So. That’s a great point because like, who [00:03:42] knows how that moment with the Lord changed [00:03:45] the trajectory of that person’s life. Like maybe they were on their [00:03:48] way to go commit some grievous sin that would’ve ruined their family, [00:03:51] but the Lord used it to steer them and it changed the whole [00:03:54] trajectory of their life.

And then all the lives of the people they touched after them, like, [00:03:57] wow, till we get to heaven, we won’t even be able to understand like [00:04:00] the great spiderweb of what these songs have [00:04:03] done. That’s gonna be amazing. It’s so true. Yeah. We’ve kind of been doing [00:04:06] this a little while and it’s amazing to actually see how a song [00:04:09] really takes on its own life.

And it starts to [00:04:12] write its own story. And often people will go know, what’s the song story [00:04:15] behind a particular song? And you can talk about how it was written and the [00:04:18] heart behind it and the scripture that influenced the lyric. [00:04:21] But I’ve always found like , the coolest story that there is attached to a [00:04:24] song, other stories that are written after.

And you [00:04:27] see the song take on its own life and it reaches people in different [00:04:30] ways. And like you said, there’s so many different permutations that you [00:04:33] couldn’t even begin to imagine the kinds of [00:04:36] ways in which the songs that have been written [00:04:39] and to be written by some of the people even, tuning into this [00:04:42] podcast will impact the community that, that the [00:04:45] songwriter finds himself in, but also what God [00:04:48] might want to do outside of that.

And so we kind of got this [00:04:51] responsibility on our part to take whatever God’s put [00:04:54] on our lives, the craft that he’s given us. Work really hard [00:04:57] at it. But then there’s also that element of you do it with [00:05:00] open hands and you release it back and go, God, what do you want to [00:05:03] do with it?

Hmm. And if we can do that, well [00:05:06] then there’s something actually quite liberating, I think, as creatives, [00:05:09] because we’re now not bound by those [00:05:12] numbers. We’re not going, well, if my song doesn’t stream X we’re not [00:05:15] bound by that. They can be helpful measures, but they’re not [00:05:18] the determinant of whether what we’re doing is a value or [00:05:21] not.

Mm-hmm. Yeah. I remember talking to [00:05:24] Andy er from Vertical Worship and he said, [00:05:27] songs are lifeboats and sometimes you write it just so that [00:05:30] you and the Lord can row together for a little while. Mm-hmm. And [00:05:33] other times he expands that lifeboat so that more people [00:05:36] can get in, and so, like you said, it’s whatever you wanna do [00:05:39] with it, Lord.

Exactly. Yeah. Yeah. I know we’re gonna be [00:05:42] focusing a lot on what you’re doing now, which is Commons, you guys [00:05:45] just finished releasing a three or four part EP that [00:05:48] equals up to a whole album. So we’ll talk about that towards the end.[00:05:51]

But you, you both kind of, I guess, rose up through the ranks or [00:05:54] grew into your, role and your [00:05:57] calling at Hillsong and going all the way back, [00:06:00] when you first started out. What was it like back in those [00:06:03] days was it already starting to see some [00:06:06] success or was it still like humble beginnings did you each come [00:06:09] into it at the same moment?

Yeah. So, I don’t know, I just wanna take us back [00:06:12] a little bit. Yeah. We came in at slightly different [00:06:15] times, actually, kind of different era really. So I came in at [00:06:18] around 95. And [00:06:21] Hillsong wasn’t called Hillsong then. It was called Hills Christian [00:06:24] Life Center. And they were meeting in a entertainment [00:06:27] center in the hills.

And they were [00:06:30] packing that out. It was probably like 1500 people per [00:06:33] service. And it was a few services a day. And I had [00:06:36] moved from Melbourne from a really small Baptist church into [00:06:39] that environment and was overwhelmed by [00:06:42] it, but just, it was definitely a worshiping [00:06:45] community already. There was a guy by the name of Jeff [00:06:48] Bullock who basically wrote all the songs [00:06:51] and he’s a hero.

Amazing, amazing [00:06:54] songs wrote, power of Your Love and songs like that. Darlene had [00:06:57] just written Shout to the Lord at the time. So I think [00:07:00] that song, it was the first time I think anything that was [00:07:03] happening at Hills. Went beyond Australia with [00:07:06] shout to the Lord. And so I kind of came into that [00:07:09] environment.

It was one church location, and that’s really [00:07:12] just what it was. It had a, a conference and it was [00:07:15] smallish conference. And over a period [00:07:18] of two or three years, the thing [00:07:21] just exploded. And we just saw [00:07:24] this exponential type growth going [00:07:27] throughout the world really.

And just hearing these stories of [00:07:30] what was happening with the songs it just sort of took on a life of [00:07:33] its own. It was very, very unique and [00:07:36] special time and the whole thing, when was it until [00:07:39] 2022 was a bit of a whirlwind, really. Like, it was just absolutely [00:07:42] wild.

What God, did I mean, I think he was [00:07:45] drawing people from everywhere, creatives, ben and I, we, we [00:07:48] came from Melbourne people all over the place coming together [00:07:51] with that gifting, I think to bring a song [00:07:54] to the church worldwide. [00:07:57] And that was a community that was sort of entrusted to [00:08:00] be the church environment where all of that thrived and [00:08:03] what a time it was, just so [00:08:06] special.

Yeah, I mean, so I arrived a few years [00:08:09] after Rubes and and it was just this like [00:08:12] incredible. Energy about the creativity [00:08:15] of that community. And as somebody who is [00:08:18] already writing songs and loved [00:08:21] music, like I grew up in a little Baptist church in Melbourne as [00:08:24] well and fell in love with church [00:08:27] music.

It just captivated me as a kid. I’d walk out of [00:08:30] church singing these like scripture in song songs and [00:08:33] they taught me so much about who God was. And as soon [00:08:36] as I picked up an instrument that’s, I wanted to play the songs we were singing in [00:08:39] church and started serving in church as soon as they [00:08:42] would let me and.

So arriving at Hillsong was like, it was no [00:08:45] different. I got there, I was blown away with the scale of it [00:08:48] obviously was so different, but I saw the same kind of [00:08:51] hunger and passion and [00:08:54] character in the creatives and in the worshiping community [00:08:57] there. And it really was a fertile ground [00:09:00] for songwriters, for, worship [00:09:03] leaders and musicians to be raised up and to be [00:09:06] able to, iron sharpens iron.

I felt like my [00:09:09] songwriting improved so quickly in that environment because I [00:09:12] had all these amazing songwriters around to show ideas too, [00:09:15] and we were collaborating together. And so I look [00:09:18] back on that period and just go, man, that was like a really [00:09:21] unique. Period in time.

Whereas Rube said, I [00:09:24] think God, he’d draw together all of these people [00:09:27] who in lots of ways they’re still dear friends, to this [00:09:30] day I was just with a bunch of them in America last week so we’re all [00:09:33] still working together. I think those connections become so deep [00:09:36] and you kind of see what God has done through those [00:09:39] years.

God was at work in those years, not just [00:09:42] creating something that went externally, but he was doing [00:09:45] something really beautiful internally in the lives of [00:09:48] each of those people and in our [00:09:51] relationships with one another, which I think have stood the test of time and [00:09:54] I think will for many years to come.

Yeah. That’s so [00:09:57] cool. The collaboration really like so many great [00:10:00] songs because of all that beautiful collaboration. And before I ask my [00:10:03] next question, I gotta lower myself because this next [00:10:06] question is about pride. As you were part of [00:10:09] this, meteoric rise of hillsong’s [00:10:12] influence and impact in the world were there ever [00:10:15] seasons, because both of you, you guys have [00:10:18] Grammys Dove awards and all these things, right? Was there ever a [00:10:21] moment where you were tempted to take credit for [00:10:24] yourself or where pride crept in and like, look what I’ve [00:10:27] done or I must be so good, or anything like that [00:10:30] that you wanna speak into?

Because I think that struggle of [00:10:33] pride is something that all worship leaders wrestle with, but I [00:10:36] can’t imagine the temptation towards pride when [00:10:39] you’re, technically the top, top, top of the top, [00:10:42] right? So did that ever happen? Did, and then if [00:10:45] so, how did you wrestle that down? Or what did the Lord have to do [00:10:48] in your life to break that And if not, cool, praise God.

[00:10:51] But that’s a good question, Alex. I think, for [00:10:54] me at least, you’re talking about a, 25 year [00:10:57] period. And really like, kind of unusual [00:11:00] things happening. It’s not normal. And I think especially for [00:11:03] a worship leader and somebody who’s writing [00:11:06] worship songs devotional songs to the [00:11:09] Lord, it’s quite an unusual thing to [00:11:12] happen.

And so you’re on this [00:11:15] personal journey this discipleship journey [00:11:18] yourself this wrestle that goes on [00:11:21] between you and the Lord, like, I guess probably in [00:11:24] any walk of life. I think some days [00:11:27] you do it well, and some days you don’t. [00:11:30] And some seasons, years, you’re doing [00:11:33] better than others and sometimes you don’t know.

[00:11:36] And I think that’s the thing about community is that if I [00:11:39] were to reflect on a different kind of seasons I wouldn’t have had [00:11:42] the time said I was [00:11:45] prideful or arrogant or like I was trying not to [00:11:48] be. But I think if I reflect on some of the [00:11:51] things that I remember say that stand out to me, [00:11:54] as I would’ve said, kind of in [00:11:57] different rooms or ways that I was being in different [00:12:00] rooms, I would say absolutely arrogant, [00:12:03] prideful

definitely not showing [00:12:06] humility. Thankfully with the community that we’re a [00:12:09] part of this very gracious group of people. [00:12:12] Everybody gave each other a lot of room as far [00:12:15] as, personal growth and, working through the [00:12:18] seasons and all of that.

And as Ben said we’re all still [00:12:21] good friends and, still do life together, so. [00:12:24] Yeah, I just echo that rub. The thing that’s so challenging [00:12:27] about pride and ego is we all [00:12:30] wrestle with it. And I think if we don’t think that we do, then [00:12:33] we definitely do. And, and it’s insidious, [00:12:36] isn’t it?

And it comes in different ways. And I think, [00:12:39] like Rube said, when I reflect. Back now you can do [00:12:42] it with a little bit more clarion than you do at the time [00:12:45] because, I do think legitimately all the people that we were doing [00:12:48] life with were doing their best to try to keep totally [00:12:51] that in check.

And I think, being in a community, [00:12:54] being planted in a church and, serving [00:12:57] alongside other people really helps with that because, and maybe [00:13:00] in part it’s Australian culture, if you start to, pop up a little [00:13:03] bit, somebody will, make sure you get pulled back in a line.

But [00:13:06] yeah, I think it’s insidious because doesn’t [00:13:09] always come out in a way where it’s [00:13:12] obvious that you are trying to elevate yourself above [00:13:15] somebody else. But it can be in those little [00:13:18] decisions that you make or comments or where even just your [00:13:21] mentality goes, starts to focus less on.

[00:13:24] The good that God is trying to do with what He’s put on your [00:13:27] life and can be even more about just, is this [00:13:30] song gonna be successful? Is this song gonna add [00:13:33] something to my life, which is a distraction [00:13:36] from the thing that, you are ultimately called to do, and the [00:13:39] passion that God put on my life in the first [00:13:42] place.

And so along the way, like I found it, and I still find it [00:13:45] really helpful to kind of just remind myself whether [00:13:48] it’s songwriting or whether it’s even coming into like Lee [00:13:51] Worship to go like, God has put [00:13:54] me in this position and people wanting to connect [00:13:57] with him. And so the [00:14:00] reality is like if a song’s doing its job, [00:14:03] what people are connecting with is the goodness of [00:14:06] God and the character of God.

And it should result in [00:14:09] worship. The Lord and not of me. People aren’t worshiping the song. And I [00:14:12] think if we are worshiping the music and we’re worshiping the song, [00:14:15] then we’ve been distracted from the objective. [00:14:18] And so I find that quite humbling because when somebody’s [00:14:21] like, wow,

that song is amazing. I think what they’re [00:14:24] really saying for the most part not to say [00:14:27] it’s not important that we write good songs, but for the most part what they’re saying [00:14:30] is that really helped me in my faith. [00:14:33] And so there’s this depth of connection that people are having, [00:14:36] not necessarily with the song, but with their creator.

[00:14:39] And , that’s what it’s all about. I think, you know, [00:14:42] Just to reiterate, I think it doesn’t matter who you are, if you’re a [00:14:45] believer, we are all on a journey of [00:14:48] discipleship. And it doesn’t matter who you [00:14:51] are, you’re not exempt from that. And I think it’s really [00:14:54] important to be about that.

Yeah, Ruben, when you [00:14:57] shared that when you look back, it’s easy to [00:15:00] see some of the seasons where you might’ve had more [00:15:03] ego than others. And I think you’re right. We’re kind of blind [00:15:06] to it in the moment. And I look back at some of the things that I [00:15:09] said, to my senior pastor and I’m like, I can’t [00:15:12] believe that I thought that that was okay.

[00:15:15] Like, I must have really been trying to prove myself, you know? right. [00:15:18] And the, the amazing thing through all that [00:15:21] is to say, you know what? Yes, we’re totally [00:15:24] flawed and totally broken, and every day doing our best and [00:15:27] usually our best is very poor, and yet God [00:15:30] chooses to use us anyway. I think that’s the crazy thing [00:15:33] is like, even through our ups and downs, like God is like, Nope, I’m [00:15:36] gonna bless my church.

I’m gonna bless my people even with your [00:15:39] weird motives or whatever. Because I love my church. It’s amazing. [00:15:42] Yeah. Yeah. The reality is, I mean, that’s, that’s all [00:15:45] God’s got to work with are imperfect people and [00:15:48] imperfect songs, , as much as we [00:15:51] try and as much as we should, work hard on the craft.[00:15:54]

Our best efforts only ever imperfect [00:15:57] efforts of describing a perfect [00:16:00] God. And so I think we’ve gotta have some grace for one [00:16:03] another, but some grace for ourselves as well to go, [00:16:06] you know, it is a journey. Like we’re all on a trajectory. [00:16:09] Hopefully our trajectory is upwards towards becoming [00:16:12] more and more Christ-like.

And so that even, I’m [00:16:15] encouraged by hearing like the humility to reflect [00:16:18] and to go back and go, yeah, well I didn’t get that right. [00:16:21] Maybe we need to apologize to people. Maybe we need to [00:16:24] make adjustments. But I think God can work with [00:16:27] that. And we look at the life of King David.

I mean, he’s the perfect [00:16:30] example for songwriters and creatives. But his [00:16:33] life was certainly not perfect, but he had a heart that [00:16:36] was after God’s own. It was his contrition that [00:16:39] attracted and continued to attract the blessing of God. [00:16:42] And so I kind of think we can take some comfort from that, I [00:16:45] think as creatives to go, we don’t have to have it all lined up.[00:16:48]

And in fact, there’s maybe something beautiful about recognizing that we [00:16:51] never will. But as long as we’re in the right [00:16:54] direction I think God can work with that. Hmm. [00:16:57] You mentioned Ben, you said [00:17:00] that’s the wrong way to view a song. Earlier, [00:17:03] a few minutes ago, regarding, I hope this gets a lot of [00:17:06] views or whatever.

What is the right way to view a song?

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What is the right way to [00:18:51] view a song?

Yeah, it’s so hard because I think [00:18:54] we’re so attracted to tangible [00:18:57] measures of whether something is meaningful or not, or whether [00:19:00] it’s valuable or not. And it can be really hard [00:19:03] because it’s a vulnerable thing to create something out of [00:19:06] your.

Own experience. Your whole life gets poured out even if it’s [00:19:09] in, a three minute song. ’cause your whole life [00:19:12] experiences is informing why you wanted to write that in [00:19:15] that way. Why you put that musical color to it. [00:19:18] So it really is this vulnerable process [00:19:21] that you then present to the world.

And I’ve [00:19:24] said before, like, sometimes songwriting feels like a [00:19:27] PhD in disappointment and rejection because you’re [00:19:30] putting out your vulnerable ideas and they don’t always [00:19:33] resonate the way that you expect that they would. Whether that’s [00:19:36] in a co-write, a collaborative kind of environment, or whether it’s [00:19:39] actually a song you’ve released going, I think this is something really [00:19:42] special and it doesn’t receive the kind [00:19:45] of lean in that you thought it would.

It, it is a balance, [00:19:48] isn’t it? Because I think we wanna be [00:19:51] aware of, particularly if we’re creating and we’re releasing music [00:19:54] for people to be able to connect with we wanna [00:19:57] know whether it’s resonating or not. There’s even a humility [00:20:00] about kind of, preferably before we’ve released the song, [00:20:03] but going, is this connecting with [00:20:06] people?

But we just gotta have like a level [00:20:09] of, maybe it’s maturity or maybe it’s just a bigger [00:20:12] picture of going, not everything that we create is [00:20:15] gonna resonate in a way that looks [00:20:18] like, large numbers of streaming or whatever. But it doesn’t mean that [00:20:21] it’s not valuable.

And I think, a lot of [00:20:24] songwriters would say that the song that meant the most to them [00:20:27] maybe isn’t even the song that really resonated with their [00:20:30] audience in the most significant way. The god’s [00:20:33] there in the whole process. And I think as [00:20:36] writers, if we can kind of have that perspective, [00:20:39] that one of the most beautiful things that we get to do is actually [00:20:42] go and dig into the character of God.

[00:20:45] And there’s something that’s happening in our own lives where in [00:20:48] that creative process, which if I never released the [00:20:51] song is still entirely meaningful. And [00:20:54] then, I think right, all the way through the process, it’s that [00:20:57] continual recalibrating of going like, how do [00:21:00] I define value and how do I [00:21:03] make sure I’m not lured into this measure of [00:21:06] success that we don’t really have a [00:21:09] biblical framework for?

Because, there’s nothing in the New [00:21:12] Testament about good streaming numbers, or you [00:21:15] don’t really see a lot of discussion at all about [00:21:18] measures of success. So it’s really something that I think [00:21:21] we have borrowed from our culture. And I think we’ve just [00:21:24] gotta be careful that we don’t let that become the [00:21:27] determinant of what is valuable and important in the eyes of God.[00:21:30]

Hmm. So, if I understand you [00:21:33] correctly, the purpose of a song [00:21:36] is to dig into the character of God. The purpose of a [00:21:39] song is an opportunity for us to dig deeper into the [00:21:42] character of God. You said something like that. Does that sound right to either of [00:21:45] you what’s the right mindset we should carry in terms of [00:21:48] songwriting?

Lemme try to do a better job there like, so I think, yeah, I [00:21:51] think digging for, as a writer, like that process of [00:21:54] discovery, like of revelation of who God is, [00:21:57] that’s part of the process, which is one of my favorite parts of being a [00:22:00] songwriter. But then the purpose of the song then, I [00:22:03] think particularly a song for church worship is [00:22:06] that then it does its job in being a gift to [00:22:09] worship leaders who are trying to, gather a body of [00:22:12] people to sing. So it should be able to unify [00:22:15] people and lift the eyes of the people to, who the [00:22:18] Lord is. And then I think that the song has a [00:22:21] really important role to play in our own personal [00:22:24] devotion. So a good worship song you can put it on in the car and [00:22:27] straight away, it helps you fix your attention, not [00:22:30] just on what’s happening in your immediate circumstances, [00:22:33] but on who God is. Yeah, I, I mean, I [00:22:36] think the question of purpose around song is [00:22:39] crucial, and it’s also one in a co-writing [00:22:42] session that is a good thing to discuss. Like, what are we going [00:22:45] for here? Like, what is the end goal? And that [00:22:48] can change if my daughter shows me a song that she’s [00:22:51] written her purpose may be very different and [00:22:54] especially in that moment to what.

[00:22:57] Potentially Ben or I might be going for, when it comes to a [00:23:00] song for the church or our particular congregation [00:23:03] or something that would go broader. And so [00:23:06] I think it can change and I think that’s what makes the whole thing [00:23:09] fun. So I think when it comes to songs for [00:23:12] church, I think they should be rich in theology [00:23:15] deeply rich in theology.

I think we should be singing [00:23:18] Theology in Church. I think that they need to be [00:23:21] singable. I think that’s really important and something that we’re [00:23:24] committed to. And you should want to sing them they [00:23:27] should inspire you and you should be wanting to [00:23:30] do that song again. Do that song at the start of the service, do it [00:23:33] at the end.

That’s the goal as well. Hmm. [00:23:36] And week in, week out as well. I think songs for [00:23:39] church, there’s a definite creative purpose to them and [00:23:42] God seems to use those songs in [00:23:45] incredible and grand ways and that’s humbling. [00:23:48] Even that, yeah. Something I didn’t send to you [00:23:51] guys in advance, but I was preparing for [00:23:54] the interview and I thought, how do you guys handle the weight of the [00:23:57] global church using your lyrics as [00:24:00] prayers?

And what sort of filter do you run [00:24:03] your lyrics through to make sure you’re helping the widest group of people [00:24:06] possible without being too shallow? you guys have [00:24:09] probably a very delicate balance there. So how do you handle all that, the [00:24:12] lyrics and the theology of the songs? I think [00:24:15] we’ve always been very committed to trying [00:24:18] to write around [00:24:21] scripture that’s the easiest way to, test your lyrics is to [00:24:24] go what is the biblical basis for that [00:24:27] line. And then to, be really committed to [00:24:30] the responsibility that if we are putting [00:24:33] theology and words in the mouth of the church, is it true?

[00:24:36] And we’ve probably both learned the hard way. [00:24:39] Even, when you’ve agitated and you’ve tried to kind [00:24:42] of, test the lyrics and to, hold them [00:24:45] to that sort of biblical litmus test, [00:24:48] you still sometimes will not get it right, or there’s [00:24:51] maybe not a, a clarity or there’s an ambiguity [00:24:54] around what you meant.

And so when a song [00:24:57] goes broadly, you definitely get that feedback [00:25:00] from, different parts of the church or blogs or [00:25:03] whatever. And I actually think it’s quite helpful [00:25:06] because, the spirit’s not always kind, but I think it’s helpful [00:25:09] that. As a songwriter to go? Yeah, actually it’s a [00:25:12] reminder that I wanna make sure that what I’m writing [00:25:15] is received in the way that I intended it to be [00:25:18] received.

And that it, it’s not creating distortion [00:25:21] for people around the way they see God, [00:25:24] but it’s helping them lean towards [00:25:27] truth. And so I think starting with scripture is, is [00:25:30] imperative. And then actually, having it, some sort of process, [00:25:33] whether it’s a pastor at your church, whether it’s someone that you respect, [00:25:36] who maybe has studied a bit of theology, just [00:25:39] having people in your world that you can say, Hey, I’ve written [00:25:42] this lyric what do you think?

And [00:25:45] actually be receptive to the feedback is really, really [00:25:48] helpful. Yeah. Just to add to that slightly, I [00:25:51] think we’ve always sort of tried to stay away from anything [00:25:54] really controversial in songs as well, so. If the [00:25:57] lines are kind of broad and just [00:26:00] staying well within the lines, I think that’s probably not a [00:26:03] bad rule of thumb when it comes to theology , and [00:26:06] songs.

Cause they end up reaching a lot of people with a [00:26:09] lot of different niche theologies. And I think [00:26:12] you just wanna stay away from all kinds. And just [00:26:15] keep it right in the middle. Yeah. You’re like, let’s not sing about [00:26:18] the doctrine of substantial sub, what is the [00:26:21] Catholic thing where the print turns in substantiation?

Right. It’s like, [00:26:24] you’re like, let’s, let’s avoid that one. Let’s sing more [00:26:27] generally about Christ returning or whatever. On that point, I think that [00:26:30] there’s a way to still. Because I do believe that the [00:26:33] church should sing a really rich and balanced [00:26:36] theology.

And so there’s areas of theology that [00:26:39] I think we can be prone to avoid because they feel [00:26:42] difficult or they feel controversial. We actually did write a [00:26:45] song called Remember Crisis, sort of around communion. But we did it [00:26:48] in a way where hopefully it’s unifying because [00:26:51] we’re just drawing on the scriptures.

The communion [00:26:54] scriptures, so that you could sing that I think no matter what your [00:26:57] particular persuasion was or doctrine [00:27:00] was around the sacraments. And I think that as [00:27:03] songwriters, we can have that as an objective too, is can we [00:27:06] write this in a way where everybody actually could [00:27:09] sing it, even if they’re looking at it from a slightly different [00:27:12] angle?

Hmm. Yeah. And I think if we’re also [00:27:15] focusing on writing for our own particular churches, we [00:27:18] can be a little more narrow not every song’s gonna go [00:27:21] broad. We can say, this group of people needs to sing [00:27:24] about this narrow niche topic of theology, and that’s what our [00:27:27] church needs.

And, and that’s okay. But it just knowing that it’s gonna limit [00:27:30] the global reach or whatever. Yeah. Not that most of us have [00:27:33] a global reach, unlike you guys. But let, let me ask you [00:27:36] guys this question. So, Reuben mentioned [00:27:39] some core qualities of a perfect worship [00:27:42] song, you said , it’s got rich theology, it’s [00:27:45] singable and you want to sing it.

How else would you answer the [00:27:48] question? Describe the attributes of a perfect worship [00:27:51] song? What is a perfect worship song to you guys?

Besides, what a [00:27:54] beautiful name. Well, yeah. Geez. Well, I, I mean, I would [00:27:57] start by saying, there’s no such thing obviously like it, we only [00:28:00] ever sort of scratching the surface, I think. [00:28:03] But one of the things that we often talk about and [00:28:06] we’re talking specifically about songs for the church to sing, [00:28:09] which is what we’re super passionate about is that it [00:28:12] can be really hard in the era that we [00:28:15] live in, where a lot of the new music that we’re [00:28:18] discovering, we’re discovering through.

TikTok or [00:28:21] Instagram or socials. And, so our [00:28:24] algorithm, is throwing us like these amazing, like things [00:28:27] where you’ll see like a, a song in a big room and [00:28:30] there’s so much energy around it and you look and you [00:28:33] see it and you go, I wanna sing that song , in my church. [00:28:36] And it’s almost like you’re drawn to the momentum of, that [00:28:39] moment.

And then there’s a disconnect potentially between [00:28:42] what works in that environment and what works when you [00:28:45] stand up at 8:00 AM on a Sunday morning with, 50 [00:28:48] people who are just, have just got out of bed and are standing there [00:28:51] going, what are we doing here? And so I think as [00:28:54] worship pastors and worship leaders we’ve got [00:28:57] that, extra filter that we’ve gotta apply.

And [00:29:00] particularly when we’re being presented with so much incredible [00:29:03] music, but. We’ve gotta go is, is this song [00:29:06] that I’m hearing and I’m really compelled by, [00:29:09] is it compelling in the right ways that are actually gonna help me [00:29:12] do what I’m meant to do this weekend in [00:29:15] church.

So if I took it through that lens, then I [00:29:18] think there’s questions like is the [00:29:21] theology really rich? Is it [00:29:24] true? Is it stable? Is it. [00:29:27] Orthodox, has it been tested? Does it sound [00:29:30] scriptural? That’s really important musically, [00:29:33] is it achievable? And I think we’ve gotta look at the people that we [00:29:36] have on our team at church and go, [00:29:39] can we not necessarily even replicate the [00:29:42] recorded version, but can we do that song in a way that’s gonna work, [00:29:45] that’s actually gonna be beautiful, that’s gonna help people [00:29:48] worship and not distract our church?

And [00:29:51] then look and go like, is this song singable? [00:29:54] And so I don’t think that necessarily that means it gotta be boring or [00:29:57] like simplistic because you can hear a song, it’s [00:30:00] like really quite elaborate, but it’s so hooky and [00:30:03] catchy that you can sing it. It’s the second time you’ve heard [00:30:06] it.

But I think that’s a really important test too, to go, [00:30:09] is does it just sound good? Because the [00:30:12] person that sung it is an amazing vocalist. Or [00:30:15] would it sound good if I put that in a service and [00:30:18] my church sung it back to me? And I think that’s a really important [00:30:21] test as well. Yeah. And just to add to that, [00:30:24] I think then, does it create a sense of worship? I think [00:30:27] that there’s a bit of a mystery to worship songs as well. [00:30:30] And you can’t, change the fact that, [00:30:33] we are actually writing songs that help people connect with [00:30:36] God. And so , there’s that creative [00:30:39] element and that spirit inspired element that I [00:30:42] think people need to be aware of as well, just because we [00:30:45] like a song.

Or if we’re writing, we like the [00:30:48] sound of a melody. It doesn’t necessarily make it a [00:30:51] good worship song or a church congregational [00:30:54] worship song. It’s kind of its own thing. And I think [00:30:57] it’s maybe important to differentiate [00:31:00] even is that we are not just trying to write a clever song [00:31:03] or a cool song.

This is a song for church that helps [00:31:06] people experience the presence of God and lean into him. [00:31:09] And it’s good. It’s a way for people to worship. [00:31:12] Mm-hmm. Speaking of songwriting, [00:31:15] love your advice or tips on this, like, what is the [00:31:18] key to a great chorus? What is [00:31:21] that thing that just makes a chorus awesome for a [00:31:24] church service?

Any thoughts? I think that there’s an [00:31:27] immediacy, particularly when you we’re talking about [00:31:30] what will work in church and continue to work [00:31:33] in church. It’s this sort of balance between going, like, [00:31:36] it’s gotta be familiar and predictable. Like, I think you should be [00:31:39] able to almost sing the next line before [00:31:42] you’ve, even if you’ve never heard it before, there’s that degree of like, [00:31:45] it’s drawing you on a journey and it’s an easy journey to [00:31:48] walk.

But then the, the thing that makes writing [00:31:51] music for church so hard is that like you’ve got that [00:31:54] to hold in tension with the fact it’s [00:31:57] also gotta be interesting and it’s gotta have enough [00:32:00] color that you feel like you can sing it over and [00:32:03] over again and it doesn’t tire. [00:32:06] And that really, I think is where the challenge is.[00:32:09]

And I think there’s sort of really no way [00:32:12] to, there’s not a formula. I think, we have to [00:32:15] fill our lives with Revelation [00:32:18] and to keep working really hard on the craft. Because, [00:32:21] we don’t need somebody to write. How great is our God? [00:32:24] Again, that song’s been written. , But I do think we’ve got a mandate [00:32:27] to keep writing a new song.

So our, hyn book doesn’t [00:32:30] get stuck in a period of time, but there’s always new color and [00:32:33] there’s new perspective. ’cause that draws us to different [00:32:36] aspects of who God is to see him from, the many different [00:32:39] angles that we could. And so, yeah, I think that [00:32:42] we’ve got the responsibility to keep, digging but [00:32:45] then also to come away from our sessions and go [00:32:48] like, what, which idea actually really do [00:32:51] I wanna listen to over and over again?

’cause I think if as [00:32:54] writers we want to hear back a chorus over and over again, and it’s [00:32:57] doing something in us, then [00:33:00] there’s a chance that it might do that in our churches. Do you [00:33:03] think everybody should write for their church?

There’s a lot [00:33:06] of worship songs out, there’s. Not even enough song slots in [00:33:09] our services to put all the new worship songs in there. [00:33:12] Should we each be writing for our own church? Yes [00:33:15] or no? Why or why not? Honestly, I dunno the [00:33:18] answer to that. It’s something that we talk about [00:33:21] as part of our church at the moment, our little [00:33:24] community.

And don’t have an answer for it really. I [00:33:27] think a lot of churches have done what Hillsong [00:33:30] did that’s sort of, become a bit of a thing and that [00:33:33] can be good. But I think that’s not for everybody. [00:33:36] And it brings its own challenges as well.

So I, I [00:33:39] think it’s definitely something to keep talking about I think there’s [00:33:42] something great about. Stewarding the potential [00:33:45] gifts in your team and if you’ve got people [00:33:48] that are passionate about writing songs then [00:33:51] encouraging those people to get together and collaborate and [00:33:54] see what comes out, I think that’s, a great thing to [00:33:57] do.

But then there’s another step that’s going, you know, should, [00:34:00] how many or should we be singing any of those songs, are [00:34:03] they actually gonna help our meetings? [00:34:06] Because, and they might, and that would be amazing. Like, so [00:34:09] if the songs that were coming out, of the heart of that team, [00:34:12] you did one of them in church and it really helped lift the [00:34:15] meeting and it helped, everybody was singing along and it was [00:34:18] beautiful, then you do it again.

But I think it’s [00:34:21] also good to have that perspective of going, if the songs just aren’t [00:34:24] quite there yet, then let’s not force them to, be [00:34:27] carrying a weight that maybe they can’t carry. [00:34:30] And then the next step is to go. Okay, well, do we [00:34:33] need to record them and do we need to put an album out? [00:34:36] And I think that has become a lot more commonplace [00:34:39] because in part, the barrier to entry is so much lower.

[00:34:42] It’s easier to record music these days than it was [00:34:45] 20, 30 years ago. But I think that that’s [00:34:48] still really an important question to go, well, what are we trying to do [00:34:51] there? And it might just be to capture something that’s happening [00:34:54] on a weekend so people can go away and listen to the [00:34:57] songs that they’ve been singing and, that’s great.

I just think we’ve [00:35:00] gotta be careful too, that we don’t get distracted by going something [00:35:03] that was just meant to be about. Our local community [00:35:06] coming together to sing has now [00:35:09] become this sort of endeavor towards [00:35:12] creating like a music label those two [00:35:15] things are quite different in my view.

And I think, not to [00:35:18] say that you can’t do it. I just think their important questions to [00:35:21] ask and to wrestle with as church leadership. [00:35:24] I love that. I think that’s really wise because we don’t wanna do, like [00:35:27] anything in worship. We don’t wanna distract people from connecting with [00:35:30] God. And if our poor songwriting is actually [00:35:33] hindering people from connecting with God, then we should probably just sing your [00:35:36] guys’ songs instead.

You know what I mean? I I think that’s actually [00:35:39] really wise. and vice versa. We’ve spent years and [00:35:42] years standing up in, church and leading a new [00:35:45] song that we thought was gonna light the room up and it just falls [00:35:48] flat.

And you go, well, okay, do we do it again? And you might give it a [00:35:51] second run. And if it just, if it’s really hard work, then [00:35:54] at some point you’ve just gotta go. That’s just not the song. And have this [00:35:57] belief, this big perspective of [00:36:00] going, God doesn’t necessarily give the gift of a song, [00:36:03] but he gives the gift to create songs.

And so we don’t need to [00:36:06] focus on that one particular song. Maybe that’s not the one, [00:36:09] but just lean back into the gift that God’s put on your [00:36:12] life and keep digging in and see what other gold comes up. That’s I, [00:36:15] I’d love to ask one more songwriting question and then I’d [00:36:18] love to just real briefly touch on just what the Lord [00:36:21] taught you and showed you through that exit period from [00:36:24] Hillsong during all the turmoil.

I don’t wanna dig up drama or [00:36:27] cause, division or anything, but I just wanna see what the Lord showed you. [00:36:30] ’cause a lot of people go through crappy church situation, [00:36:33] so For sure. But, but one question that I struggle with [00:36:36] is, how do you know a song is done? Because you can [00:36:39] endlessly tweak.

Like I even have a song right now. I, I love [00:36:42] everything about it, but I’m like, is there a better line [00:36:45] in that bridge that could just take it, that [00:36:48] 2% higher, even though my church is already worshiping with it and [00:36:51] loves it. Like, you can endlessly tweak. So how do you know [00:36:54] that a song is done and you should just let it go?

Reuben? I [00:36:57] don’t think there’s an easy answer to that. Every song’s different, [00:37:00] and I’m with you. You could endlessly tweak. I [00:37:03] think you can take a song too far. So you, [00:37:06] rewrite it out of where the sort of the [00:37:09] beauty was, and where the kind of that feeling of [00:37:12] spontaneity and whatever the essence of that song was can [00:37:15] get lost in rewrite.

So you have to be really careful. I [00:37:18] think that’s why co-writing so good is you have [00:37:21] sort of built in accountability in the whole thing as [00:37:24] well. So Looking, stepping back from a song for a [00:37:27] moment can be really helpful too.

So I, I probably [00:37:30] these days don’t keep going digging on a song unless [00:37:33] there’s something about it that really moves me. And [00:37:36] if I go, there’s something special about this song, then you [00:37:39] start dialing up the crafting of that song and going, does [00:37:42] every line hit me? And sometimes as a writer, [00:37:45] you’ll change a line hopefully for the better.

And then [00:37:48] all of a sudden other lyrics start to look [00:37:51] lackluster because they’re not quite, as, they don’t hit in [00:37:54] the same way. And so sometimes you get this [00:37:57] feeling , that the work you’re doing is actually elevating the song. And [00:38:00] everything now has to get better to try to like lift to that [00:38:03] standard.

But I think when we realize that what we’re doing [00:38:06] is actually doing the opposite, where I’m, you’re changing things [00:38:09] and it’s just still feels like it’s not, it’s making it more [00:38:12] incongruent. It’s probably a good time to either pause, [00:38:15] step back from it, or to involve another writer, [00:38:18] collaborate and, get some help and get some perspective [00:38:21] from somebody else.

That’s good. Yes. So [00:38:24] just briefly touching on Hillsong [00:38:27] and just how things unfolded towards those later [00:38:30] years. Reuben, you said you were there for 25 years, and so that must’ve [00:38:33] been incredibly complex and painful and [00:38:36] confusing. Not just for you, but everyone watching and the [00:38:39] whole situation.

And as you’ve [00:38:42] exited that season over the last couple years and [00:38:45] processed it, hopefully prayerfully, I’m sure there’s a [00:38:48] lot of pain and hurt. I’ve, I still carry a lot of hurt from things that [00:38:51] happened in my past at different ministries. But what were some of [00:38:54] the key lessons that God taught each of [00:38:57] you that you feel like would be helpful for the people [00:39:00] listening?

I think you know, that what you said there is really good [00:39:03] that I think we all go through moments in [00:39:06] our faith. Life and our spiritual journey [00:39:09] and our doing that in community there’s [00:39:12] moments where they feel incredibly difficult. [00:39:15] And there are moments that can kind of open up [00:39:18] wounds in our lives if we don’t pay attention to them and [00:39:21] we don’t take the time to actually sit with them and [00:39:24] process and that they can cause [00:39:27] ongoing damage.

And one of the things that I was really committed [00:39:30] to and my family was to make sure that , we didn’t want to [00:39:33] carry a sense of hurt bitterness or [00:39:36] anything like that from that season. We wanted to [00:39:39] be grateful for the things that we needed to be grateful [00:39:42] for. We wanted to recognize where things had [00:39:45] fallen over in a way that they shouldn’t have, and go, what can we learn [00:39:48] from that so that we don’t see that happen again?

And then [00:39:51] ultimately to kind of have this sense of belief [00:39:54] that it was God who was doing good things [00:39:57] along the way. He was working all things together for his [00:40:00] good the whole way through those years and that it’s him that [00:40:03] continues to do so. I think when you’re in an [00:40:06] environment like that where there’s this incredible [00:40:09] momentum, you can begin to believe that the [00:40:12] reason that God’s at work in your life is [00:40:15] because you were a part of something that was [00:40:18] successful.

And the individual sense of God’s [00:40:21] gifting and anointing or whatever on your [00:40:24] life takes this really relegated place. [00:40:27] And so for me, one of the things I had to journey through was actually going. [00:40:30] And discovering that. While it’s really [00:40:33] amazing to be a part of something that’s incredible and [00:40:36] beautiful and a creative sort of juggernaut, that the [00:40:39] gift, if it’s good, is coming from God.

He’s the only [00:40:42] giver of all good gifts. And on the other side of that [00:40:45] season of my life, I’ve continued to see God at work [00:40:48] and it feels as rich. The collaborative part of [00:40:51] what I’m doing is as rich. And it’s really been actually a [00:40:54] really beautiful reminder of the fact [00:40:57] that that gifting and that opportunity to create and to [00:41:00] serve God in that way comes from him and it doesn’t come from [00:41:03] anywhere else.

Mm-hmm. That’s beautiful. It’s good [00:41:06] there’s so much to say around this topic, Alex, [00:41:09] and obviously it’s been a big part of my [00:41:12] life and, and my family raised my [00:41:15] family as part of Hillsong Church and, we actually planted [00:41:18] churches my wife and I in England [00:41:21] that were Hillsong churches.

So we’ve definitely been in [00:41:24] that and, done the tours and the songs [00:41:27] and we’ve really built, a lot of that alongside [00:41:30] many people. So it’s obviously like a huge part of [00:41:33] our lives. But I think that reflecting on that [00:41:36] time it was like lockdown and then things [00:41:39] changed.

What do you do about things that you can’t control? [00:41:42] And there was so much in that season that we couldn’t [00:41:45] control. And that kind of happened , and there’s obviously been a [00:41:48] lot of conversation and a lot of things that have been [00:41:51] shared about what happened with Hillsong, so we don’t need to talk about that [00:41:54] here.

But I think that [00:41:57] personally and as a family, you just have to ask [00:42:00] yourself, well, what can we control? What do [00:42:03] we believe here? What’s important to us here? And you [00:42:06] have to make your own decisions and you have to make sure [00:42:09] that you protect your own soul [00:42:12] and your own relationship with God, and you protect your [00:42:15] family.

And you keep going. You keep [00:42:18] following the Lord. You keep going after what he’s put on your [00:42:21] life. And that’s easy to [00:42:24] say. But it is a huge thing to go [00:42:27] through and obviously you touched on it just before [00:42:30] Alex, is that you’ve got experiences like that in your [00:42:33] past as well. So I feel like this is a shared [00:42:36] experience for Christians, for people who have been part of church [00:42:39] life, is we have these, moments of, change that [00:42:42] we have to navigate. Seasons change. What can you do about [00:42:45] the natural seasons changing? Nothing. You, you [00:42:48] come out of winter into spring. What did we do about that? You can’t do [00:42:51] anything about it. You just have to thank God [00:42:54] for the new and what he’s [00:42:57] about to do and for the day we’re living in right [00:43:00] now.

And we’re in this time where we’re fully embracing [00:43:03] the day and fully embracing the new season. And I [00:43:06] think , these are the best times to be alive and [00:43:09] very exciting times ahead. Really excited about [00:43:12] what is happening with the comments and the new [00:43:15] music that’s coming.

And I can’t wait for you to hear more of it, [00:43:18] Alex. There’s, yeah. Let’s talk about it. Tell, tell [00:43:21] us about the project. Why is it called Commons? Why the [00:43:24] xs? What about your new albums that you just released? What are [00:43:27] you loving about those albums and what are your hopes [00:43:30] for the project? Well, yeah, we decided on the name [00:43:33] Commons.

It’s like a a common space, like [00:43:36] in, parts of the world, like the uk like, it’s literally like [00:43:39] common land in the middle of like a built up area that belongs [00:43:42] to sort of no one. It’s a space for everybody to come and, and [00:43:45] exist and be, and, and so we, we love that picture. [00:43:48] And then we use the Xs like, which represents [00:43:51] Christ.

So it’s Christ in common. And that’s the thing that un [00:43:54] unifies us as worshipers and certainly everybody who’s [00:43:57] collaborating on the Commons. And the Commons exists [00:44:00] to inspire worship, to help the church sing, [00:44:03] to help people worship. And so every song kind of goes through [00:44:06] that filter.

We’re trying to write songs that are a worship leader’s [00:44:09] best friend that are gonna help. What we are doing on a [00:44:12] weekly basis. And so we’re really [00:44:15] decided about wanting to start with new songs so [00:44:18] that this first project is 11 of the [00:44:21] 12 songs that brand new songs. And we got a [00:44:24] really deep commitment to continuing to write new [00:44:27] songs and to bring new songs through, find and bring through [00:44:30] new songwriters.

And then the second [00:44:33] project we’re about to release called it’s Live in Manila [00:44:36] project is a collection of some of the new common [00:44:39] songs and then some of the songs that Ruben and I have written [00:44:42] through the years. And that is shaping up to [00:44:45] be a really exciting project as well. Definitely.

[00:44:48] Yeah. So the first song for that comes out this Friday, [00:44:51] Alex. So, which is the Creed, this I believe. And then on [00:44:54] from there a couple weeks later, I think we’re releasing still, [00:44:57] and then the album comes out. I think it’s early [00:45:00] October

yeah, well, it’s happening. I’m, I’m gonna grab all the links and share [00:45:03] ’em everywhere and make sure everybody, because I love your guys’ [00:45:06] commitment to serving worship leaders who are looking [00:45:09] for great songs for their churches. That seems to be what you want to [00:45:12] do and what God has gifted you to do.

So I love that you’re just [00:45:15] leaning in hard on that. That’s so good. Do you guys have any [00:45:18] final words of encouragement for the worship leaders both [00:45:21] live and those who will listen after or watch after the fact?

Yeah, [00:45:24] my parting encouragement would just be to keep [00:45:27] going. Don’t throw away your confidence. Don’t lose [00:45:30] sight of why it is that you got into this in the [00:45:33] first place. Whether it’s a moment where you can kind of look back and go, [00:45:36] oh, I remember when, like, I first was inspired by [00:45:39] hearing a worship song where God did something in my [00:45:42] life through music.

Go back to that place and [00:45:45] kind of go, oh yeah, What did that unlock in you? And then what’s [00:45:48] God done along the way? And I think sometimes when we step back [00:45:51] and we look at the fact that he’s actually been [00:45:54] writing this story all along and you can see him [00:45:57] weaving the good in our lives, let that be an [00:46:00] encouragement to you that he’s gonna continue to do that.

Even if you’re in a [00:46:03] season that might feel a bit discouraging or you might be feeling a [00:46:06] little bit tired that happens to all of us. You might be a writer, [00:46:09] you might feel like you’ve got a bit of writer’s block, or it feels just really [00:46:12] hard at the moment. Give yourself a bit of grace. [00:46:15] But just remember that \ God is at work in your life [00:46:18] that he is weaving a really good story together and lean [00:46:21] into that.

I would just say don’t allow your [00:46:24] courage to be robbed from you. You might have a day [00:46:27] where you feel like you’re depleted of any sense of [00:46:30] confidence or anything like that. But I would [00:46:33] say like just continue to encourage yourself in the Lord and [00:46:36] find that inner strength and that inner place.

Just ’cause you have a [00:46:39] bad day doesn’t mean you need to have a bad [00:46:42] week or a bad month. And I would just say keep going. [00:46:45] And yeah, don’t give up, but just keep your confidence, keep your [00:46:48] courage. That’s so good. The overarching [00:46:51] theme I keep hearing is God is the God of the seasons he [00:46:54] walks with us through the seasons and he’s doing a beautiful [00:46:57] thing through all of it.

So I love it. Thank you guys both. [00:47:00] Reuben, I know you gotta bounce to an appointment, but Ben do you have time for [00:47:03] two Academy student questions about songwriting? For sure. [00:47:06] Let’s do it.

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